Stevie Turner: Addictive Personalities

Frances and Martin Andrews have a serious problem: he’s addicted to pornography, and she’s addicted to spying on him to secure evidence of his transgressions. The lack of trust between them has shattered their marriage, and even counseling doesn’t offer much hope. Martin’s repeated lies render impotent his protestations that he’s changed. He desperately wants her back, but she desperately wants to be free of him.

That’s the set-up. What follows in this fast-paced and relatively short novel spans a few emotionally-charged years in which husband and wife must face their own flaws as well as each other’s. It’s a compelling read about a life-destroying indulgence that has ensnared all too many people, particularly in the Internet age. Turner does a creditable job of portraying the addiction and its effects, although I suspect she’s captured the wife’s trauma better than the husband’s. Frances grows considerably through the story, while Martin’s journey through hell ultimately seems fruitless. I’ll grant that’s one plausible outcome, but I found it disheartening. Maybe that’s the point? I at least would have liked a bit deeper glimpse into Martin’s psyche at the end to understand better how he ends up where he does.

The writing is good enough, although I thought phrases containing the word “porn” occurred a bit too often, and some of the dialogue, particularly with the counselor, seemed a bit stilted. (However, I’ve never been in a counseling session, so maybe that’s how it really is.) I also think the author missed some opportunities to delve deeper into the characters through the action. This is a complex situation that could easily support another fifty pages of development without feeling stretched.

A word of caution: Although this work is neither romance nor erotica, there are a few explicit passages, not excessively graphic but very direct.

The strengths and weaknesses of “Mind Games” had me hemming and hawing over a rating. I’ve settled on 4.5 stars for story and a bit better than 3.5 for the writing, yielding 4 stars overall.

 I recently asked Stevie Turner about the novel and her writing. Here’s what she said:

It looks like you’ve written a number of books. What subjects have you addressed, and where does “Mind Games” fit in?

Yes I have written a number of books over a 5 year period.  I always try to tackle subjects that haven’t been written about too many times before.  I am more interested in writing about relationships between middle-aged couples, as I find their problems and issues more interesting. With young people there is always the sexual chemistry and the bed-hopping which has been covered countless times in many different ways, but what happens to a couple when they age and passion dies away?  I prefer to write of problems that can occur in fifty-somethings, as they are more likely to face this scenario.

Addiction has become a major social issue. Readers might see aspects of their own lives mirrored in your  fiction and wonder if they could help someone who has an addiction. What has your research suggested?

No, it is not possible to change somebody who has an addictive nature. The change and motivation to stop needs to come from the person themselves.  Usually they would have to hit rock bottom before they decide to stop.

Which at one point in Mind Games seems to be where Martin ends up. But did he learn anything through his experience, or as the title suggests, has it indeed all been a game to him?

Martin is the kind of man that will not be told what to do by a woman, as he feels this will emasculate him.  However, he still loves Frances and wants her to return to the marital home.  If there is any chance that this might happen he would be prepared to do and say anything, but just as long as he can remain true to his own beliefs.

What are you working on now?

I am working on a novel-length version of one of my short stories which is in my published book Life: 18 Short Stories about Significant Life Events.  I think it might be ready later this year, because at the moment the words are tumbling out!

What advice to you have for readers or writers?

I would say for a start that unless writers read a lot, then they won’t learn to hone their craft.  It’s no good saying “I don’t get time to read because I’m too busy writing.”  If nobody is reading, then what’s the point of writing?  Also it’s best to have another source of income rather than rely on book royalties!  Beaver away and don’t give up writing just because somebody thinks your book sucks; sooner or later somebody will like it, it’s all a matter of opinion.

Where can readers find you? (You can just give me the links. I’ll format them for you.)

John Vassar: Cosmic Intrigue

Another review in my indie author series. I’m dropping the opening blurb henceforth. You’ve read it enough!


Once ravaged by famine, civilization has been rebuilt, partly on a decimated Earth but largely in massive orbiting colonies. United under a single Supreme Council and guided by the recommendations of a collection of machines known as SenANNs (sentient artificial neural networks), the human race at long last isn’t too bad off. But trouble is brewing beneath the surface. The security agency known as Delere Secos appears to have been breached. Two agents have perished under inexplicable circumstances, and now ex-agent Lee Mitchell, forced into retirement years earlier when he appeared to be showing signs of telepathic power, is brought back by the DS director to investigate under a cloak of utmost secrecy. In spite of skills grown rusty with disuse, Mitchell sets out to trace the tenuous leads and begins to unravel the enigma. Dogged by a more skilled agent who doesn’t trust him and connected directly to the SenANNs via an implant, Mitchell is drawn inexorably into a chilling plot concocted by the richest, most brilliant, and most reclusive man alive only to discover that even he is just a player in an intrigue crossing space and time.

Provider Prime: Alien Legacy is an intense, hard-hitting SF novel filled with twists and turns that don’t stop until the very last page. The pacing is about perfect, with the stakes constantly rising. Just when you it think it can’t possibly get any worse, it does, right through the denouement–if it can be called that. The characters are well-drawn and complex, too. The ending put me in mind of another SF novel I read a long, long time ago: Colossus by D. F. Jones.

The writing is solid throughout, although I did find the opening a bit confusing because of the unfamiliar and unexplained terminology being thrown around. If you can get through that, though, the explanations will fall naturally out of the story, and you’ll grow comfortable with it before long. Vassar’s handling of the action is better than his handling of emotional scenes, but there are no significant stumbling blocks. He gets the job done.

A word of warning is in order: some of the material is brutal, involving both physical and psychological torture. It’s not excessively graphic, but Vassar doesn’t pull his punches. Some readers may find certain scenes very disturbing. Nevertheless, the story rates 5 stars and the writing falls on the high side of 4, so I’ll be generous and give this one a 5 overall.

 I recently asked John Vassar about the novel and his writing. Here’s what he said:

The world of Provider Prime and the background for the story are complex. How long did it take you to build this world, and how did you go about it?

First of all, thanks so much for the interview invitation and for taking the time and trouble to review – both very much appreciated. As for creating the world behind Provider Prime, what a good question! I have a vivid imagination and a strong aesthetic sense (my mother and father were both art teachers) which is sometimes at odds with my scientific and engineering-centred education. I decided from the outset that although I wanted Earth in 2203 in my mind’s eye to be visually stunning, it also had to be scientifically feasible. How long did that take? As long as it took to write the book is the truthful answer, because I was still tinkering with the backdrop until the very last word. Even then it carried on throughout the editing process. For instance, I remember making precise calculations based around the global population figures after the Great Famine and working out if the Orbtown Programme (orbital cities) was actually a viable proposition. Luckily for me, it was!

Your choice of the word “complex” is appropriate. In some ways, the technology of 2203 is almost too advanced, the Orbtowns being a good example. Yet, in other areas Earth is still quite “backward.” Still no faster-than- light starships for instance, a common trope in 23rd-century science fiction. The conclusion of the story goes some way, I hope, to explaining those contradictions. As for the alien elements in Provider Prime, I make no excuse for including those. I have no doubt that we are not alone in the universe. To my mind the statistics make it a virtual certainty. What I did try to avoid is the “cardboard cut-out bad guy” approach and to give some depth to the characters on both sides of the confrontation. Maybe that’s my background in acting coming to the fore – looking for genuine motivation. I tried to make each character’s actions truthful.

In terms of how we see Future Earth in the novel, I simply let that unravel during the narrative. It’s mainly from the protagonist Lee Mitchell’s point of view, and I avoided “information dumps” where possible. The disadvantage of that approach is that the terminology, acronyms and jargon are left unexplained for the most part. I’m working on adding the “X-Ray” facility to the Kindle version to help with this! Overall, though, I’m fairly happy with my vision of 2203. It’s neither Dystopian or Utopian. It functions well on most levels and crime is at an all-time low, but as with any society throughout history there are hidden undercurrents.

In the story, the SenANNs undergo a sort of character growth of their own. Do you see them as actually evolving through the story, or are they merely becoming more adept at communicating with humans?

They are very different beings at the end of the story. Their collective intelligence as such has not suddenly increased, but their understanding of the biological mind and its sometimes irrational thought processes has grown immensely. The SenANNs (Sentient Artificial Neural Networks) have always understood that they needed some sort of symbiosis to reach the next level of their evolution. Actually, that transition was not easy to write because as you point out, throughout the book they are learning the nuances of language that we take for granted. I did use that aspect of the SenANNs’ development to introduce a little wry humour here and there.

Had you written anything before Provider Prime?

Yes, but luckily for everyone it will remain unpublished! I wrote a full length SF novel way back in the nineties. I used an Amstrad PCW8256 and floppy discs by the dozen. It did serve one useful purpose though – even though it was so dated in terms of technology it was almost laughable, I did not want to lose it altogether. As I re-typed it into Word from the manuscript I had printed off before Lord Sugar’s masterpiece finally gave up the ghost, I was inspired to write another novel. Provider Prime: Alien Legacy was the result!

What are you currently working on?

At the moment I’m laying out the straw man for the sequel to Provider Prime, which I’m hoping will hit the bookshelves later this year. This will be the second volume in the Alien Legacy trilogy. I’m also working on a series of short stories, the first of which (The Blue Page) is currently being submitted to the online SF magazines. The aim here is to eventually have enough for a stand-alone collection.

What advice to you have for readers or writers?

For readers, I think it’s healthy to step outside the box once in a while and take a chance on something that isn’t in your usual genre. Whenever I’ve done this it has given me new perspectives on my own writing and only occasionally have my preconceptions been accurate.

For writers – where do you start? With the eBook and online publishing revolution there are more opportunities now for new authors but exponentially more competition and a million ways to get ripped off. In the year since I first put Provider Prime on Amazon I’ve realized that there is a whole sub-industry out there geared to making money from indie authors – so please do your research before parting with any hard-earned cash. I think in the end success will depend on your levels of persistence and belief. Don’t give up.

Where can readers find you?

On my websiteFacebookTwitter, Goodreads, and Amazon. Provider Prime: Alien Legacy is available exclusively on Amazon.com, Amazon.ca, and Amazon.uk (including Kindle Unlimited).

Do Writers Deserve to Eat?

The job title “writer” covers a lot of ground. Writers can be, among other things, journalists, web content writers, technical writers, script writers, legal writers, fiction writers, or song writers. They can be staff writers or freelancers.  Their work can appear in print, electronically, on stage or screen.  Some lucky writers earn a great deal from their work. And then there’s the rest of us.

According to a 2017 survey conducted by freelancewriting.com,  65% of freelancers in the U.S. earn less than $10,000 per year from their writing, while for over half of freelancers, writing is their only job. The “top tier” freelance writers work full time and earn $40,000 or more per year, not enough to get rich but enough to pay the rent and eat.

The writers involved in this survey do a broad range of work. Most of them aren’t writing books, but web content, technical material, advertising copy, articles, and so forth.  They’ve sought out work, sold themselves, and negotiated a rate (or accepted what they were offered). Somebody is paying them to do a specific job. Those of us who write books to share knowledge or tell a story have to find a publisher, or failing that, self-publish. We make our money off of sales of our work to the reading public. You are our clients. And you pay us not according to a contractual rate, but by buying copies of our work.

So the big question is, how much are you willing to pay? That’s been a burning question for independent book authors for quite a few years now. Scan the ranks of books by indie authors, and you’ll see ebooks selling for anywhere from nothing to a few dollars. Our print books typically cost more, but generally less than $15.00 and frequently less than $10.00. That’s great for the reader, but horrible for the writer. Why? Because at $0.00 per copy, the author makes nothing no matter how popular her work may become, and even at $2.99, the profits don’t exactly mount up.

Consider what goes into making a book. While we all write at our own speed, it’s not uncommon to spend six months to a year writing a book. Let’s go with the lower end of that range. Now, after that book is written and revised to the author’s satisfaction, it goes out to an editor. If a writer is very lucky–as I am–an “in house” editor like my wife Kathleen may be available for free. But most often, the writer has to pay for editorial services. That can run anywhere from several hundred dollars to over a thousand, depending on the skill of the editor and the length and complexity of the work.

So let’s say after six months hard work and maybe $500 editing expense, you have a book. You’re not done yet. You likely purchase an ISBN for each book format you intend to publish (about $25 if you buy them individually, although considerably less if you can buy them in bulk), possibly a bar code for the print book (another $25), and of course cover art. You might do the cover work yourself, but if not you’ll spend a few hundred to a thousand or more for that. And let’s not forget the copyright registration fee, another $35 to $55, depending several factors. So the writer has invested six months labor and probably anywhere between $100 and $1,000 in expenses to produce one book.

Now it’s time to make back that investment. The book goes on sale.

Many indie authors are lucky to sell 100 or so copies of a book. Even at the “high” price of $2.99,  that can fall well short of what they’ve spent in bringing you the book.  If they keep costs low, they might actually make a small profit, but let’s face it, how many other laborers would settle for a payout of $300, or even $1000, for six months’ work?

At the $2.99 price point, an indie author would, assuming a lot of do-it-yourself, need to sell well over 13,000 copies of their book in one year to hit that “top tier” income level of $40,000. That doesn’t happen too often.  Achieving “bestseller” status can require selling about 1,000 copies within a few days of release. That’s five to ten times what many indie books sell over a year or two. To make serious money as an indie author requires writing bestseller after bestseller.

If you’re a writer, this may seem discouraging, but don’t be disheartened. Consider this a call to keep writing good books while learning the art of promotion. A series of good books well-promoted can, given time and effort, earn you enough to enable you to eat.

If you’re a reader, consider this is a call for understanding and help. Please don’t expect to get something for nothing. We work hard to bring you stories and intellectual excursions you will enjoy. Be willing to pay at least as much for a good book as you pay for a good cup of coffee. You only get to drink the cup of coffee once. The book will stay with you through re-readings and conversations and happy memories. It’s also lower in caffeine. And if you do enjoy our product, please let others know about it by leaving reviews and telling friends and family. Praise from satisfied customers goes father than almost anything we can do ourselves.

The offiical website of author Dale E. Lehman