Tag Archives: interview

On Tour!

In conjunction with Goddess Fish Promotions, I’ll be on virtual tour from February 19th through March 2nd, promoting my forthcoming Howard County Mystery, Ice on the Bay, co-authored by my wife Kathleen.

A virtual tour consists of stops at book blogs, where I’ll be interviewed and present guest posts. In some cases, bloggers will be reviewing Ice on the Bay. You can keep track of events day by day via my book tour Facebook event. Be sure to indicate that you are going or interested.

The itinerary for the tour is as follows. Please note that most of the links go to the blog’s home page instead of the specific page for my appearance. A few go to the specific page, but as those pages will not be “live” until the indicated dates, the links won’t work if you visit them early.

February 19: Long and Short Reviews – Guest Post
February 20: Edgar’s Books – Interview, and Two Crazy Ladies Love Romance  – Interview
February 21: Stormy Nights Reviewing and Bloggin’ – Book Review
February 22: The Reading Addict – Guest Post
February 23: Bookaholic – Book Review
February 26: Readeropolis – Interview
February 27: Laurie’s Thoughts and Reviews – Book Review
February 28: It’s Raining Books – Interview
March 1: Sharing Links and Wisdom – Guest Post
March 2: Straight From the Library – Interview

A lot of these seem to be heavy on romance, which Ice on the Bay is not (although there is a developing relationship in there, as those who read True Death might have expected).  But since they’ve agreed to cover up my title, they must have some interest in mysteries. Indeed, one of my guest posts suggests that mystery is a bigger deal than even romance. I’ll maintain a bit of mystery by not revealing which one. 😉

K. T. Munson: Worlds of Light and Shadow

Recently I’ve been reading novels by newer, largely unknown indie writers. By way of helping them along, I’ll be introducing some of them here. These authors are up-and-coming, at varying stages in their development as writers. They may not all have the polish of traditionally published authors, but I think they all have potential and deserve encouragement.

Born on the eve of a war that all but destroyed his kindred, the Shadow Clan, Ki is raised by the surviving elders. His whole life has been spent in training for just one purpose: to kill forty-two sinful people and collect into himself their souls, thus releasing them from their evil and becoming the savior of his race. Mission nearly accomplished, he discovers that his last two targets have committed no sin. One is a child too young to bear any guilt. The other is Elisabeth, a brilliant young “fringe sciences” researcher who harbors a terrible secret: she is half human, half demon. But she has suppressed her darker side and remained pure, so Ki cannot kill her. Yet.

Still stranger things are afoot. In a realm of planets joined to each other, to the Netherworld, and to the magical Divine Court itself by five Gates, dark forces have been awakened. People’s spirit animals are vanishing. Whole families are committing suicide without reason. Dangerous creatures from the Netherworld are breaking through to the planets, attacking and abducting whoever they find. For reasons she does not comprehend, Elisabeth alone holds the key to understanding these strange events, but she needs Ki’s help. Would-be killer and would-be victim must form an uneasy alliance to halt the spreading darkness. In the end, they will learn that neither of them are what they once had thought.

The Sixth Gate is the first volume in a planned trilogy (The Gate Trilogy). K. T. Munson has spun a complex, intriguing fantasy world filled with creatures of light and darkness. The story pulled me in from the start and kept me going, although I found it a bit easier to set aside in the middle than I did at the beginning and the end. The ending more than rewarded the effort, though. Pity I can’t tell you about it without giving away too many things! The characters were in the main well-defined, although I didn’t quite get the level of evil vibes I would have expected from the principal villain. The settings were quite good, particularly the look and feel of the Netherworld. I could well imagine myself slinking through its shadows, hoping to remain unseen. Overall, I’d put the story elements at a solid 4.5 stars.

I found the writing a bit uneven, though. Some parts were quite good, especially in the earlier chapters, while other could use a fair bit of tightening. In particular, some of the dialogue and intense action scenes could use some help. However, these are issues most indie writers face in their earlier works, and I found the text readable enough to give the writing 3 stars. Overall, then, I feel justified in granting 4 stars to this novel. I look forward to book 2, The Nowhere Gate, being even better.

I recently asked K. T. Munson about the novel and her writing. Here’s what she said:

The world of “The Sixth Gate” is quite complex and vibrant. Where did it all come from?

Equal parts research and my brain! In my mind my characters are alive on these complex worlds and I’m simply writing down their lives. However, I only get snapshots in dreams and the like, so I have to fill in the pieces—hence the research.

I found the relationship between Ki and Elisabeth intriguing. He is out to kill her and she knows it, yet they must work together to combat the growing darkness. On top of this, they both carry a lot of that darkness within them. Could you comment on how all that plays into their relationship?

You’ve touched on one of the very important central themes to the book and series as whole: We are all born with the capacity for cruelty and for goodness. In a way I wanted to show that two people who are very similar in their inner struggles and circumstances took two different paths because of their environment. We are shaped by the conditions of our birth, but they do not have to define us.

Without giving too much away, a point of clarification I’d like to make here is Ki wants to save Elisabeth by freeing her soul. He thinks of himself as a savior and doesn’t really consider his ‘darkness’ to be dark. It isn’t until Elisabeth becomes his mirror that he starts to question everything about his mission and by extension his ‘truths.’ In turn Ki is Elisabeth’s catalyst to help her come to terms with who and what she is. However, the acceptance of her demonic half is down to her in the end.

There are a lot of mythological creatures as well as (it seems) creatures of your own making. How much did preexisting mythology enter into your world-building?

Great question! It isn’t explored as much here, but many of the creatures throughout the series are either my own creation or borrowed from mythology for very deliberate reasons. I did use mythologies from across the world and through time, more so in Morhaven which you’ll see more of in the next two books.

However, I borrowed from existing or historical societies as a loose foundation on each planet and then built up around them my own flourish of cultures, belief systems, and social structures to create each unique planet. It was a lot of work to build 6+ unique planets, and there is so much more on each planet that isn’t explored because it isn’t relevant to Ki and Elisabeth’s story. Thankfully I love world-building, so even though it took time, it was a lot of fun!

This is book 1 of a planned trilogy. What can you tell us about the next book?

Thankfully, I’ve already written the next two books. I’m happy to report that because there has been so much positive feedback I’ve been working like a madwoman to get the second book ready for publication later this year, rather than next year. For the next book you’ll want to hold onto your seat because you’re in for a wild ride!

The second book, The Nowhere Gate, starts off with Ki completely without memories or a body on an unknown planet. Meanwhile, Elisabeth’s search for Ki takes her and Nanette to Morhaven where Elisabeth must face new perils, from creatures to the cunning Det Mor Clan. It is under the pretense that Nanette serve her month with Ethandirill in the Netherworld.

What advice to you have for readers or writers?

For fellow writers, keep writing. Let your stories be told. For readers, bless you! Novelists like myself need readers like you who are searching to be transported to other worlds.

Where can readers find you?

On my blog, my mailing list, Facebook, Twitter, PinterestInstagram, Goodreads, my Amazon Author Page, and Smashwords.

William R. Dudley: Planetary Real Estate Noir

Recently I’ve been reading novels by newer, largely unknown indie writers. By way of helping them along, I’ll be introducing some of them here. These authors are up-and-coming, at varying stages in their development as writers. They may not all have the polish of traditionally published authors, but I think they all have potential and deserve encouragement.

Through nuclear war and environmental degradation, Earth has been all but destroyed. Seeking new homes, humanity has taken to the stars using a marvel of engineering: the Janus Gate. Orbiting the sun where the asteroid belt used to be, the Janus Gate’s space-warping black hole and surrounding containment field catapults pilgrims to worlds far beyond our solar system. But Janus is also a colony in its own right, its concentric levels home to a full cross-section of humanity. Here, powerful ultra-conglomerates double as businesses and government, ruthless criminal syndicates run amok, and ordinary people eke out an existence.

In the lawless outer levels of Janus, former security agent turned freelance bounty hunter Calder is offered a fortune to find the missing son of one of the richest and most powerful women alive. Of course he takes the job. But soon he finds himself neck deep in deception, treachery, gangland war, and unspeakable crimes. Death threatens at every turn, but Calder must see the job through, cost notwithstanding.

The Janus Enigma packs suspense and intense action into a gripping tale of survival and intrigue. It’s well written, too. Author William R. Dudley is a former English teacher, journalist, and editor, so he knows his way around words. I did find some of the dialogue near the end a bit wordy, and on occasion I thought a sentence could have been phrased better, but these are minor quibbles. A bit more significantly, I didn’t entirely buy the young computer whiz Umbra’s emotional episode near the end, and I was a bit disturbed that Calder didn’t notice the parallels between certain of his own actions, which he justifies as necessary collateral damage, and the monstrous crimes he uncovers. Some elements of the ending might have been a bit too pat, as well, but to avoid spoilers I won’t go into detail here. Regardless, the story works, and works well.

Fair warning for those who might take issue: this is a violent story liberally sprinkled with hot vengeance and crude language. Personally I would prefer less of all that, but I won’t factor that preference into my rating, since I seem to be in the minority. In terms of both story and writing, The Janus Enigma falls on the high side of 4 stars. If I don’t give it 5, it’s only because of those few small issues I mentioned above. Well done, sir!

I recently asked William R. Dudley about the novel and his writing. Here’s what he said:

You’ve been involved with words for a long time as a teacher and editor, but this is your first novel. Did you do any writing before this, and if not why did you only get started now?

For thirty years, my writing was confined to the “everyday” business of scripts, copy etc. for radio and television. My job was all-consuming, leaving little, or no, time for “writing for myself.” On occasion, I did exercise my literary ambitions–chiefly in the form of the libretto for a folk-opera “Going For A Soldier”, which was performed at the Edinburgh Fringe way back in the seventies. As I recall, it got a rave review from The Irish Times. I also managed to find time to write a couple of Christmas pantomimes for an Am-Dram group in Jersey (Channel Islands) where I was working, but, I found work–on call 24/7/365–and trying to maintain some semblance of a family-life more than enough. I retired, gratefully, in 2010 and dedicated myself to doing nothing except cooking, playing golf and relaxing, something I hadn’t been able to do for over thirty years. Eventually, I got the idea to write a novel. I have to admit, I fought against it, big time. Writing is bloody hard work and I reckoned I’d done enough of that, thank you. But, like an itch you have to scratch, the idea grew and grew, until, in the end, I decided to give it a go.

What gave you the idea for The Janus Enigma?

Having decided to have a go at writing a novel, I was at a loss as to what the subject would be. From an early age I’ve loved Sci-Fi. I drank a lot of whisky and jotted down a number of ideas. One of them involved The Man Who Sold Planets. I was intrigued by the idea of real estate becoming more than selling houses and tracts of land. Eventually, this idea became a relatively minor character in The Janus Enigma–Mexican Charlie–but it was enough to set me on the path to creating an environment/world in which someone could actually sell you a planet. Added to this basic idea was my love of first-person noir thrillers: Raymond Chandler, Dashiell Hammett etc. The rest, as they say, is history.

I got all the way through the book before realizing I didn’t know protagonist Calder’s first name. I’m terrible with names and thought I’d forgotten it, so I went back through the book but couldn’t find it. Am I missing something?

Sorry you felt it necessary to back-track. I deliberately didn’t give Calder a first name. I feel it adds to the enigmatic nature of the character. Besides, let’s face it, he’s not the most pleasant of characters, so referring to him only by his surname is, perhaps, best. I regard Calder as a flawed “force of nature,” a product of his time and environment and best kept at a distance.

You seemed to be trying to walk a tightrope between Calder’s violent streak, which no doubt arises from his background, and giving him a conscience that prevents him from going too far overboard. Yet sometimes he has to rationalize collateral damage. Without giving anything away, I found it a bit disturbing that those rationalizations were basically the same as those made by one of the key criminals in the story, but Calder didn’t seem to realize it. Could you comment on that?

Wow! When you read, you read. Thank you. I freely admit I struggled with the amoral side to Calder’s character. To be honest, basically, he’s a thug, but a thug with a fairly well-developed, if totally subjective, concept of right and wrong. He will pursue his concept of what is the right thing to do irrespective of the surrounding morality. He’s driven and won’t let anything stand in his way, which is why he has no scruples about killing Rylan Delmonico’s minder, or Azarillo’s guards. If it has to be done, it’s done. He may not feel all that good about it, but, in his mind, the end justifies the means. I actually found it intriguing that, in a way, Calder and the “key criminal” are somewhat similar. I like to think that the climactic confrontation between the two of them raises, in the reader’s mind, the question of whether what the “key criminal” did was justifiable. Calder sees it from his point of view, but is he right?

I see you have a sequel in the works. How far into it are you, and when do you expect to publish it?

The Janus Contract centres on Calder being hunted by the Nemesis Foundation, an organisation of implacable, professional assassins, but just who has hired them to eliminate Calder and how he can manage to stay alive is the big question. The sequel also revisits a key incident in The Janus Enigma and, I hope, provides a big surprise. I’m currently in the final outlining phase. I write my first drafts fairly quickly – 6 to 8 weeks, but then spend months revising, editing and rewriting. I’m hopeful that The Janus Contract will be published around September 2018.

Are you working on anything else?

Come on! I’m seventy years old. I read the obituaries in the newspaper every day and, if I’m not mentioned, I get out of bed and either cook, play golf, potter about my garden, or write. I’m far too old and tired to entertain any thoughts of a “writing career.” I just want to write stories which, I hope, people will enjoy reading. End of.

What advice do you have for writers or readers?

For writers: WRITE! Just get it down. It may be a load of bilge, but, once you have something on paper (or on file) you have a beginning. The actual writing of that first draft is relatively easy. The real work starts when you revisit it to edit, rewrite and revise. That’s when your skill as a writer emerges and you exercise your craft. I revised/edited The Janus Enigma 57 times (I have every iteration – the first 14 are crap!). The best problem to have as a writer is when you revise your work for the umpteenth time and, at the end of it, realise you’ve changed perhaps a dozen words and rephrased a couple of sentences. That’s when you bite the bullet and say “Enough!” Of course, it’s not “finished.” It never will be, but life’s too short…

For readers: if you aren’t hooked by the first ten pages (God, that’s generous) go away. Read something else, play a round of golf, cook a splendid meal, watch TV, go to the theatre, play Skyrim, whatever. Increasingly, the attention span of people is diminishing. God bless Twitter, Facebook, et al. Don’t waste time on struggling through something which doesn’t engage you. There’s more than enough out there which you will find engaging.

Where can readers find you?

I have a website: http://www.thejanusgate.com. I don’t do Facebook, Twitter, or any of the so-called “social media”. Essentially, I’m a rather old-fashioned private person. I’ll share my writing with the world, but very little else.