Tag Archives: fiction

Reading, Writing

A Place for Readers and Writers

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For the past few months, I’ve been a member of Medium.com and have been posting stories there, some fiction, some nonfiction.  The idea behind Medium is simple. Writers post stories, then readers read them and “clap” for the ones they like. (There’s a little hand icon you can click repeatedly to signal how much you like a story. That’s “clapping.”) Writers get paid based on how well their work is received, measured by story views, time spent reading a story, and claps.

How do writers get paid? Medium could have splashed ads all over the place, but they don’t do that. Instead, they charge a small subscription fee. You can read three stories per month for free, but to really use the service you’ll need to pay $5.00 per month, or $50 per year (which saves you $10 over the monthly rate). Do that and you’ll have access to everything Medium offers. The writers you engage with (by reading and clapping) earn a share of your subscription fee.

For readers, this isn’t a bad deal. What else can you get for $5.00 per month? Not even your morning coffee, or if you’re a coffee-hater like me, your morning tea. It’s really a very small price to pay, especially since there are a wide variety of stories to read, written by a wide variety of writers.

For writers, it’s also a great deal, because you can get paid for your work. Likely you won’t get rich off of it, but I and a number of other writers I know who have ventured into the world of Medium find it insanely easy to make back that investment of $50 per year plus a small profit. Initially I was making about $5 per week. By now, I’m earning nearly $30 per month, and I expect that to slowly rise as I gain more followers and publish more stories.

Of course, you want to publish good stories that people enjoy reading. It also helps if you can be accepted as a writer for a publication. Publications can be created by anyone and run the gamut from one-person shows to major productions like the one managed by the Washington Post. Generally, publications have much wider reach than most individuals can achieve. I’m currently writing for two publications, The Writing Cooperative, which is all about writing and the writing life, and Lit Up, which focuses on short fiction and poetry. I’ve also published material under my own account, mostly nonfiction as well as flash fiction I’ve written for the weekly Indies Unlimited contests.

I’d encourage you to check out Medium and consider joining. If you do, please follow me and read my stories. Here are a few to whet your appetite, but remember, you can only read three a month without joining:

Running Down the Track – a short story from Lit Up

How a Roadrunner Saved my Wife’s Sanity – a true story of parental genius

Moonlight Sonata – a flash fiction SF tale

Baha’i Houses of Worship – the growth of a religion illustrated in architecture

Plotting When you Hate Plotting – advice for writers like me from The Writing Cooperative

Enjoy, and see you there!

Novels, Reading, Writing

Stevie Turner: Addictive Personalities

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Frances and Martin Andrews have a serious problem: he’s addicted to pornography, and she’s addicted to spying on him to secure evidence of his transgressions. The lack of trust between them has shattered their marriage, and even counseling doesn’t offer much hope. Martin’s repeated lies render impotent his protestations that he’s changed. He desperately wants her back, but she desperately wants to be free of him.

That’s the set-up. What follows in this fast-paced and relatively short novel spans a few emotionally-charged years in which husband and wife must face their own flaws as well as each other’s. It’s a compelling read about a life-destroying indulgence that has ensnared all too many people, particularly in the Internet age. Turner does a creditable job of portraying the addiction and its effects, although I suspect she’s captured the wife’s trauma better than the husband’s. Frances grows considerably through the story, while Martin’s journey through hell ultimately seems fruitless. I’ll grant that’s one plausible outcome, but I found it disheartening. Maybe that’s the point? I at least would have liked a bit deeper glimpse into Martin’s psyche at the end to understand better how he ends up where he does.

The writing is good enough, although I thought phrases containing the word “porn” occurred a bit too often, and some of the dialogue, particularly with the counselor, seemed a bit stilted. (However, I’ve never been in a counseling session, so maybe that’s how it really is.) I also think the author missed some opportunities to delve deeper into the characters through the action. This is a complex situation that could easily support another fifty pages of development without feeling stretched.

A word of caution: Although this work is neither romance nor erotica, there are a few explicit passages, not excessively graphic but very direct.

The strengths and weaknesses of “Mind Games” had me hemming and hawing over a rating. I’ve settled on 4.5 stars for story and a bit better than 3.5 for the writing, yielding 4 stars overall.

 I recently asked Stevie Turner about the novel and her writing. Here’s what she said:

It looks like you’ve written a number of books. What subjects have you addressed, and where does “Mind Games” fit in?

Yes I have written a number of books over a 5 year period.  I always try to tackle subjects that haven’t been written about too many times before.  I am more interested in writing about relationships between middle-aged couples, as I find their problems and issues more interesting. With young people there is always the sexual chemistry and the bed-hopping which has been covered countless times in many different ways, but what happens to a couple when they age and passion dies away?  I prefer to write of problems that can occur in fifty-somethings, as they are more likely to face this scenario.

Addiction has become a major social issue. Readers might see aspects of their own lives mirrored in your  fiction and wonder if they could help someone who has an addiction. What has your research suggested?

No, it is not possible to change somebody who has an addictive nature. The change and motivation to stop needs to come from the person themselves.  Usually they would have to hit rock bottom before they decide to stop.

Which at one point in Mind Games seems to be where Martin ends up. But did he learn anything through his experience, or as the title suggests, has it indeed all been a game to him?

Martin is the kind of man that will not be told what to do by a woman, as he feels this will emasculate him.  However, he still loves Frances and wants her to return to the marital home.  If there is any chance that this might happen he would be prepared to do and say anything, but just as long as he can remain true to his own beliefs.

What are you working on now?

I am working on a novel-length version of one of my short stories which is in my published book Life: 18 Short Stories about Significant Life Events.  I think it might be ready later this year, because at the moment the words are tumbling out!

What advice to you have for readers or writers?

I would say for a start that unless writers read a lot, then they won’t learn to hone their craft.  It’s no good saying “I don’t get time to read because I’m too busy writing.”  If nobody is reading, then what’s the point of writing?  Also it’s best to have another source of income rather than rely on book royalties!  Beaver away and don’t give up writing just because somebody thinks your book sucks; sooner or later somebody will like it, it’s all a matter of opinion.

Where can readers find you? (You can just give me the links. I’ll format them for you.)

Reading, Science fiction, Writing

John Vassar: Cosmic Intrigue

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Another review in my indie author series. I’m dropping the opening blurb henceforth. You’ve read it enough!

Once ravaged by famine, civilization has been rebuilt, partly on a decimated Earth but largely in massive orbiting colonies. United under a single Supreme Council and guided by the recommendations of a collection of machines known as SenANNs (sentient artificial neural networks), the human race at long last isn’t too bad off. But trouble is brewing beneath the surface. The security agency known as Delere Secos appears to have been breached. Two agents have perished under inexplicable circumstances, and now ex-agent Lee Mitchell, forced into retirement years earlier when he appeared to be showing signs of telepathic power, is brought back by the DS director to investigate under a cloak of utmost secrecy. In spite of skills grown rusty with disuse, Mitchell sets out to trace the tenuous leads and begins to unravel the enigma. Dogged by a more skilled agent who doesn’t trust him and connected directly to the SenANNs via an implant, Mitchell is drawn inexorably into a chilling plot concocted by the richest, most brilliant, and most reclusive man alive only to discover that even he is just a player in an intrigue crossing space and time.

Provider Prime: Alien Legacy is an intense, hard-hitting SF novel filled with twists and turns that don’t stop until the very last page. The pacing is about perfect, with the stakes constantly rising. Just when you it think it can’t possibly get any worse, it does, right through the denouement–if it can be called that. The characters are well-drawn and complex, too. The ending put me in mind of another SF novel I read a long, long time ago: Colossus by D. F. Jones.

The writing is solid throughout, although I did find the opening a bit confusing because of the unfamiliar and unexplained terminology being thrown around. If you can get through that, though, the explanations will fall naturally out of the story, and you’ll grow comfortable with it before long. Vassar’s handling of the action is better than his handling of emotional scenes, but there are no significant stumbling blocks. He gets the job done.

A word of warning is in order: some of the material is brutal, involving both physical and psychological torture. It’s not excessively graphic, but Vassar doesn’t pull his punches. Some readers may find certain scenes very disturbing. Nevertheless, the story rates 5 stars and the writing falls on the high side of 4, so I’ll be generous and give this one a 5 overall.

 I recently asked John Vassar about the novel and his writing. Here’s what he said:

The world of Provider Prime and the background for the story are complex. How long did it take you to build this world, and how did you go about it?

First of all, thanks so much for the interview invitation and for taking the time and trouble to review – both very much appreciated. As for creating the world behind Provider Prime, what a good question! I have a vivid imagination and a strong aesthetic sense (my mother and father were both art teachers) which is sometimes at odds with my scientific and engineering-centred education. I decided from the outset that although I wanted Earth in 2203 in my mind’s eye to be visually stunning, it also had to be scientifically feasible. How long did that take? As long as it took to write the book is the truthful answer, because I was still tinkering with the backdrop until the very last word. Even then it carried on throughout the editing process. For instance, I remember making precise calculations based around the global population figures after the Great Famine and working out if the Orbtown Programme (orbital cities) was actually a viable proposition. Luckily for me, it was!

Your choice of the word “complex” is appropriate. In some ways, the technology of 2203 is almost too advanced, the Orbtowns being a good example. Yet, in other areas Earth is still quite “backward.” Still no faster-than- light starships for instance, a common trope in 23rd-century science fiction. The conclusion of the story goes some way, I hope, to explaining those contradictions. As for the alien elements in Provider Prime, I make no excuse for including those. I have no doubt that we are not alone in the universe. To my mind the statistics make it a virtual certainty. What I did try to avoid is the “cardboard cut-out bad guy” approach and to give some depth to the characters on both sides of the confrontation. Maybe that’s my background in acting coming to the fore – looking for genuine motivation. I tried to make each character’s actions truthful.

In terms of how we see Future Earth in the novel, I simply let that unravel during the narrative. It’s mainly from the protagonist Lee Mitchell’s point of view, and I avoided “information dumps” where possible. The disadvantage of that approach is that the terminology, acronyms and jargon are left unexplained for the most part. I’m working on adding the “X-Ray” facility to the Kindle version to help with this! Overall, though, I’m fairly happy with my vision of 2203. It’s neither Dystopian or Utopian. It functions well on most levels and crime is at an all-time low, but as with any society throughout history there are hidden undercurrents.

In the story, the SenANNs undergo a sort of character growth of their own. Do you see them as actually evolving through the story, or are they merely becoming more adept at communicating with humans?

They are very different beings at the end of the story. Their collective intelligence as such has not suddenly increased, but their understanding of the biological mind and its sometimes irrational thought processes has grown immensely. The SenANNs (Sentient Artificial Neural Networks) have always understood that they needed some sort of symbiosis to reach the next level of their evolution. Actually, that transition was not easy to write because as you point out, throughout the book they are learning the nuances of language that we take for granted. I did use that aspect of the SenANNs’ development to introduce a little wry humour here and there.

Had you written anything before Provider Prime?

Yes, but luckily for everyone it will remain unpublished! I wrote a full length SF novel way back in the nineties. I used an Amstrad PCW8256 and floppy discs by the dozen. It did serve one useful purpose though – even though it was so dated in terms of technology it was almost laughable, I did not want to lose it altogether. As I re-typed it into Word from the manuscript I had printed off before Lord Sugar’s masterpiece finally gave up the ghost, I was inspired to write another novel. Provider Prime: Alien Legacy was the result!

What are you currently working on?

At the moment I’m laying out the straw man for the sequel to Provider Prime, which I’m hoping will hit the bookshelves later this year. This will be the second volume in the Alien Legacy trilogy. I’m also working on a series of short stories, the first of which (The Blue Page) is currently being submitted to the online SF magazines. The aim here is to eventually have enough for a stand-alone collection.

What advice to you have for readers or writers?

For readers, I think it’s healthy to step outside the box once in a while and take a chance on something that isn’t in your usual genre. Whenever I’ve done this it has given me new perspectives on my own writing and only occasionally have my preconceptions been accurate.

For writers – where do you start? With the eBook and online publishing revolution there are more opportunities now for new authors but exponentially more competition and a million ways to get ripped off. In the year since I first put Provider Prime on Amazon I’ve realized that there is a whole sub-industry out there geared to making money from indie authors – so please do your research before parting with any hard-earned cash. I think in the end success will depend on your levels of persistence and belief. Don’t give up.

Where can readers find you?

On my website,  Facebook,  Twitter, Goodreads, and Amazon. Provider Prime: Alien Legacy is available exclusively on Amazon.com, Amazon.ca, and Amazon.uk (including Kindle Unlimited).